This is the second time that I painted this little cutie. My goal here was to focus on getting the subtle light changes and shape right. I love the little spot of light on her back that allows the nose to come forward. These types of lighting really capture my attention. It can be a challenge to get the value just right so that it will do what you want but it is worth the effort of practicing. I love the softness and variety of color in this too. I was interested in creating roundness with the contrast of cool and warm colors. It was good practice.
This is another shaggy dog portrait. The first time that I attempted to paint one of these shaggy dogs I was perplexed at just how to go about it. It seems that as I have gotten more experience, I am beginning to see all the wonderful colors of light cast upon the individual hairs as well as beginning to better understand how light works as it falls on its subject. One thing I am learning is that no matter how many times you paint a picture, it will come out a bit different each time. It’s pretty interesting to consider this.
Another morning walk to Mendenhall Glacier. It is beautiful no matter what the weather. On this morning the fog was just clearing. I liked the warm reds on the peaks contrasted with the deep purple in the shadow from another mountain. And of course the little bits of left over fog are always interesting. This is a 5×7 oil on canvas…mostly meant to be a study of the light effects.
This is a 5×7 oil painting of a point outside Juneau, AK. When I took this photo, I just loved how the blue reflection on the shady parts of the rock seemed so blue and complemented to bright, vivid green of the grassy knoll. But when I started this picture I was really intending to practice my skies. I have trouble keeping them light enough, and I’d like to be able to get better blues into them. So on this one I was trying to use some Cerulean Blue…I usually use Pthalo. I used both here, starting with Cerulean near the mountain peaks and gradually going to Pthalo as the sky got higher. this is not how my photo looked, but I was happy with it. After the sky was done I figured I’d just add the rest…and here it is. I think I will try to do some quick practice though of mainly skies. Because I started with the sky I ended up running out of the proper proportion of water at the bottom. I think this would be much more pleasing to the eye if it had a couple more inches of water, but there’s always next time.
This is the valley in Juneau where I live. It is the main road that goes to the glacier. In the summertime there is a constant stream of tour buses that run from the cruise ships downtown out to the Mendenhall Glacier. This is the road they take. On a clear day, when you get to this point it can be so beautiful that it makes your heart leap! Tourists must have their jaws drop as they approach. It is about 4 miles from this point but you cannot wait to get there to see it when you are given this glimpse beforehand. I have also painted this a couple times trying to get the values just right. The mountain is difficult to get just right. It seems darker than you have to paint it in order to put it into the distance. I’m learning ( =
This is an 8×10 oil painting done from a photo I took down in Cohassette, MA while visiting my parents. On this particular day it was misty and overcast. I wanted to try painting this because of those weather conditions. It is very different to paint bright sunny day as opposed to a gray overcast day. It takes practice to see things in different light. I think that this is why I like to paint. I like the challenge of portraying the certain feeling a scene takes on in different lighting conditions. I really spend a lot of time observing the changes in light and shadow as well as colors under different conditions. It is really amazing to me.
This is a 5×7 oil painting. I took the photo used for this on the back of our boat. It was early morning and the sunlight was extremely low and intense. In this study I was trying to work on creating the intense glow of the bright orange buoy. It fascinated me to see how much it cast its brightness onto the surrounding items. I did a workshop last year where we were challenged to do the same thing. My results on that painting were not quite as successful as this one. I definitely learned a few things from that workshop. This is just another example of how it can be very helpful to do the same picture more than once, or at least something very similar.
This was really enjoyable to do. I’ve done a few sunsets now and struggled with them more. This one came together a bit easier. It’s very simple but a sunset is always best, in my opinion, when kept on the simple side. I like how it reads a little differently depending on the light coming into the room.
I have been wanting to do this for a while. I liked it because I tried something new and used a gray-blue toned canvas, to help with the gray mood of this day. Juneau is very rainy, so this mood is very typical. Something about that, as well as the conglomeration of buildings and objects made me want to paint this scene. I am definitely drawn more to a strong, sunny scene, but I would like to be able to capture different types of weather and light conditions.
I thought I would show another example of an Underpainting, because when I first started painting I couldn’t get enough information about the different ways that people choose to paint. I enjoy seeing how other people paint…it gives me ideas and may lead to better things. It’s good for us to know that there is not just one way to do things. Rather there are a vast number of ways to do the same thing! I think this is very helpful to know. Actually, I think this little painting is the very first time that I tried doing an Underpainting. You can see just how much detail I included in the early stages.
I’m sure this may be old news to many people, but I can remember how fascinated that I was with it early on. So I wanted to do a few posts to show any beginners how they might try it.