Tag Archives: trees

One More Underpainting

Posted on by
2

Into the woods (3)IMG_7703

This will be my final example for now of how useful a more detailed Underpainting can be. This is another wooded scene where my trees could easily have all gotten lost or run together as I went along. By having my Underpainting sort of map out my values, it was much easier to keep track of where my trees were separated. This also was helpful for me to see whrere it was important to perhaps place a darker tree next to a lighter one in order to distinguish it or make it more focal. It really is nice to be able to play around with your composition and value at this point before you have invested too much time. For me, it is invaluable when the painting has much detail.

Detailed Underpainting

Posted on by
Reply

Maine woods (3)Maine Woods

 

This is an example of a two tone Underpainting where it was extremely necessary. I felt like there would be no way for me to keep track of my distant trees without a basic guide layer down first. This gave me a clear idea of my values before I started and also acted like a map for me to keep from having my trees get lost in the forest (so to speak).  You can see that an Underpainting can be quite vague or extremely detailed. It is very interesting to play around with.

Back to Basics

Posted on by
Reply

z left overs (60)I am actually quite taken with this little painting. There is something very pleasing about its simplicity. To try a painting using just one color is a great process for beginners. I even think that this practice is helpful for more advanced painters. This is useful In many ways… like helping one to recognize the values in the painting. After doing this you could more easily adjust your values to emphasize different areas of interest or intensity. This can also help one to see the unnecessary details of their subject. This is also good practice for how one might do an underpainting of their subject. Many artists will do a complete, thinned down, two tone painting like this before they add their color. That way they can concentrate on adding color without thinking about the value as well. This is often helpful when the subject matter has a lot of detail. But this is not a necessity, just a matter of preference. I have done some of these underpaintings and found them very helpful. But there are many times that I just want to be more spontaneous.

(as a side note, this post should have come before the last one) I would be interested to hear about anyone else’s experience with this process as well.

Underpainting Example

Posted on by
Reply

Along the Alcan (1)Alcan Hwy

This is one example of how I used the underpainting process. The detail in this particular picture probably didn’t warrant the need but I was still experimenting with it at this point. But you can clearly see how helpful it is to see the value in a two toned painting. And I must say again, that at this stage, it is really easy to adjust something that may look a bit off. This layer of paint should be very loose and thinned down with turp or mineral spirits.     You don’t need to add white to your burnt sienna, you just thin it down a bit more. It is also very easy to wipe something off and redo it. If nothing else, I find this quite fun to play around with because you can move the paint so easily.

Second Attempt of Lincoln Island Rock

Posted on by
2

IMG_8376I think that the first painting was too cool. I did add a bit of warmth to it but thought that I would try it again. You know that ‘repeat, repeat’ thing. ( =  Well for this one I also used a  canvas that was toned with burnt sienna. If you remember, the first one was toned with a pale blue hue. I do believe that this one came out much warmer simply because I started out with a warm undertone. The blue of the last one was strong enough to influence my whole painting so that it leaned toward very cool in the end.

Usually my preference is for a warm painting, but I do like the idea of trying different things to see where it leads. So I learned from this…I can either be very careful to warm all my colors if I use a cool toned canvas, or I can start with a warmer tone. I have seen paintings of fog or overcast days that have been done on a blue/ gray canvas that I really liked, but again, I will practice. In the end, I really prefer this warmer painting.

Pond Reflections

Posted on by
2

IMG_8019This is a little 5×7 that just looked like a challenge with all the foliage and the upside down reflections. You can almost turn it upside down to display it as well. ( =  I am finding that greens can be a challenge, especially when there are so many different shades in one painting. This is probably another thing I could practice…the many different greens.

Playing with colored canvas

Posted on by
Reply

Lincoln Island BeachThis little canvas was underpainted with a pale blue hue. I think this was the first time trying blue. I liked it a lot. The overall tone of the painting came out cool even though it was a very sunny scene. After taking this photo I did tone down the blueness of the rocks in the shade. It was a little too blue for me. But I really enjoy painting on a canvas that is underpainted because it gives you a mid tone color to start with which can help you read your colors better. It is also interesting to play around with little bits of color you leave showing. If I did this same painting with the pale orange underneath, it would have taken a totally different direction. I’m almost interested enough to try that in order to compare the two.

Many people know exactly how they intend their painting to turn out. At this point for me, I sort of let it tell me where it is going to go. I try to read it as it progresses and see how it feels. That part is still fun for me. If I have a direction in mind and it doesn’t go that way, well that will be frustrating. But for now I am learning what may cause certain outcomes. And I am enjoying the process!

Snow Practice

Posted on by
Reply

Corinth SnowThis is a scene from Corinth, Maine. It is a very farmy town where my friend lives. I love to take photos out there of the farms and countryside. It is open and always has nice lighting effects. This one was interesting to me because of the big old Maple trees and because of the snow. I still need to add a few lines on the poles when it dries, but this was fun.

This one was also an example of that pale orange underpainting bleeding into the snow. I had to do a couple layers. But you can also see areas where it gives an interesting warm glow through the trees. Depending on the subject matter, you can leave more or less of it to show through.

Sunny Bend

Posted on by
Reply

Auke Rec PointI continue to find trees extremely challenging yet I am seeing progress. It is a challenge to know where to begin some of these pictures of the woods, but I felt like I at least had some direction this time. I still feel like this could be improved on if I did it again, but I’m happy with it for now. I’m still feeling a strong attraction for painting woodland scenes and especially trees themselves, in fact I found a guy that paints ‘tree portraits’ yesterday on Pintrest. His name is David Langevin. His stuff is amazing. It may be a similar direction I’d like to go in eventually. You can check out his work on whiterockgallery.com. Just search his name.