In this 8×10 painting, I really wanted to push the warmth in the bushes to contrast all the cold in this scene. That part went pretty well, but I really struggled with the reflections in the ice. This is how it looks after 3 attempts at getting it right. At this point I have decided to let it dry before I do it again. It kind of amazes me sometimes, the things I struggle with. It certainly isn’t predictable. I am hoping that I can get it right on the fourth go round. we shall see. Anyone with helpful tips here is welcome to chime in ( =
I have decided to try selling some mini paintings. These are very difficult to photograph clearly but I did my best at this point. Each of these are 2×4 inches. I do not plan to frame them because they are stretched canvas and I painted around the edges. I do plan to add some sort of ribbon or hanger to show how they could be used as ornaments. They also look really cute on the mini easels that are available.
This is the view from my dining room windows. It is not always visible because of all the low clouds and rain that we get, but when it is, it is spectacular! During winter the low sun creates the most beautiful lighting effects on everything. On this evening the frost was really thick on everything. It tends to build up because the sun doesn’t get high enough to melt it off things. So the hoarfrost almost seems to grow. This made everything seem so cool and gray and soft compared to the bright warm glow on the mountain peaks. I cannot seem to get a photo of this painting that really shows the coloring well, but this isn’t too bad. As with a few of my paintings now, I have painted this a couple times (or pretty close to this) and it gets a little better each time.
This 10×8 oil painting was done of a photo taken while hiking here in Juneau. I really wanted to paint this as a challenge to myself. I loved the dappled sunshine on the shallow water leading into the picture. I think it turned out ok. I really tried not to overwork it. I may go back in and lighten up a few spots in the background, but over all I’m please with the results.
I Just love this guy or girl…this looks like a very healthy bear enjoying a bit of contemplation. In this painting, I was attempting to paint in a looser more impressionistic style. I used a 6×6 piece of gesso board which is a very smooth surface. It can be tricky to paint on when you first try it, but I think it lends itself nicely to leaving clear brush strokes. This is part of the look I am going for when I refer to impressionism. I am not trying to paint the bear’s hairs, but rather an overall fur coat.
This image caught my eye because of the contrasting light and dark. I really enjoy being in the woods, and this scene is a good example of why. I love how the sunlight can just break though a small area and make it glow while the rest of the woods stay in the shadows. This seems like a happy little spot to enjoy a walk.
This will be my final example for now of how useful a more detailed Underpainting can be. This is another wooded scene where my trees could easily have all gotten lost or run together as I went along. By having my Underpainting sort of map out my values, it was much easier to keep track of where my trees were separated. This also was helpful for me to see whrere it was important to perhaps place a darker tree next to a lighter one in order to distinguish it or make it more focal. It really is nice to be able to play around with your composition and value at this point before you have invested too much time. For me, it is invaluable when the painting has much detail.
This is an example of a two tone Underpainting where it was extremely necessary. I felt like there would be no way for me to keep track of my distant trees without a basic guide layer down first. This gave me a clear idea of my values before I started and also acted like a map for me to keep from having my trees get lost in the forest (so to speak). You can see that an Underpainting can be quite vague or extremely detailed. It is very interesting to play around with.