More of my series of Juneau, AK in miniature. I decided these photograph better when I put them in groups of 4 and do not have to get so close to them. Each one of these is just an every day scene in Juneau. It is a small community and the mountains are in your face no matter where you go. It is such a gorgeous place! And I really love the low winter light. It is wonderful for filming or painting.
These are all the same mountains that surround the Mendenhall glacier, but each from a different part of town. It is almost like you cannot get away from it. These views are everywhere!
I’m finding that it is not only fun to paint in miniature but it is still a good way to learn and practice. I still have to work on what details to leave out and consider all the same composition rules. But I can play with color without much investment if it turns out to be a failure. There is very little investment at all whether it is financial or time. I am even finding that I would like to reproduce some of them in a larger scale. All around good practice. (These are each 2.5×3.5 inch)
I am continuing my miniature landscape series of Juneau, AK. I’ve taken so many wonderful photos of the beautiful scenery here and now I am getting to use it. It would be nice to have a set of 4 of them displayed together, maybe 4 seasons or just 4 different areas of Juneau. The pic on the left is a view from Harris Harbor. I just loved the light vs. shadow on this. The other picture is Point Retreat Lighthouse. I particularly liked the lighting on the mountain in the distance here. These are both 2.5xx3.5 inch stretched canvas and painted on the sides as well. (I actually sold the lighthouse this seek, the other is for sale)
These are each 2.5×3.5 inches. They are so much fun to paint! I guess I have always liked detail. The fun thing is, they look very detailed (they are for the size) but in fact I do have to minimize how much detail there is.
This is the view from my dining room windows. It is not always visible because of all the low clouds and rain that we get, but when it is, it is spectacular! During winter the low sun creates the most beautiful lighting effects on everything. On this evening the frost was really thick on everything. It tends to build up because the sun doesn’t get high enough to melt it off things. So the hoarfrost almost seems to grow. This made everything seem so cool and gray and soft compared to the bright warm glow on the mountain peaks. I cannot seem to get a photo of this painting that really shows the coloring well, but this isn’t too bad. As with a few of my paintings now, I have painted this a couple times (or pretty close to this) and it gets a little better each time.
This is a scene from Corinth, Maine. It is a very farmy town where my friend lives. I love to take photos out there of the farms and countryside. It is open and always has nice lighting effects. This one was interesting to me because of the big old Maple trees and because of the snow. I still need to add a few lines on the poles when it dries, but this was fun.
This one was also an example of that pale orange underpainting bleeding into the snow. I had to do a couple layers. But you can also see areas where it gives an interesting warm glow through the trees. Depending on the subject matter, you can leave more or less of it to show through.
I love painted trees! I need to practice them close up because they are very tricky to paint. So in this I combined the tree practice with the strong warm light practice. It is just a small 5×7, but I think it has good impact. When studying a subject close up, the things you learn can be easily applied to a more suggestive painting later on. This is another thing that I need to remember.
This is a small painting of a farm in Corinth, Maine. It is set way back from the road and has all its pasture up front. I like to see who is in the fields when I go by. Often there are horses and colts out there. I think this car has been there as long as I can remember. This was my first successful attempt at painting a car. I was pretty happy with it. Usually they do not look at all like a car.
This is another effort to employ the looser style of painting that I like so much. I really tried to go about this in a more reckless abandon fashion. I did not want to be fussy with detail but wanted to focus on the larger value differences. About mid way through I almost tossed it, but in the end I think it came out rather well.
This is a collection of 4×4 paintings that I did this week. They are copies of larger paintings by a friend who’s work I particularly like. His brush strokes are quick and sketchy and his paint is quite thick and textural. Another thing I like about it is his color choices. He uses a few different colors than I was using and I enjoyed adding these to my pallet. (the new ones were sap green, cad orange light, and yellow ochre)
I really enjoyed these little studies. I got a feel for the look and light, as well as a bit more texture. I think this was very helpful.