Second Attempt of Lincoln Island Rock

IMG_8376I think that the first painting was too cool. I did add a bit of warmth to it but thought that I would try it again. You know that ‘repeat, repeat’ thing. ( =  Well for this one I also used a  canvas that was toned with burnt sienna. If you remember, the first one was toned with a pale blue hue. I do believe that this one came out much warmer simply because I started out with a warm undertone. The blue of the last one was strong enough to influence my whole painting so that it leaned toward very cool in the end.

Usually my preference is for a warm painting, but I do like the idea of trying different things to see where it leads. So I learned from this…I can either be very careful to warm all my colors if I use a cool toned canvas, or I can start with a warmer tone. I have seen paintings of fog or overcast days that have been done on a blue/ gray canvas that I really liked, but again, I will practice. In the end, I really prefer this warmer painting.

Pond Reflections

IMG_8019This is a little 5×7 that just looked like a challenge with all the foliage and the upside down reflections. You can almost turn it upside down to display it as well. ( =  I am finding that greens can be a challenge, especially when there are so many different shades in one painting. This is probably another thing I could practice…the many different greens.

Playing with colored canvas

Lincoln Island BeachThis little canvas was underpainted with a pale blue hue. I think this was the first time trying blue. I liked it a lot. The overall tone of the painting came out cool even though it was a very sunny scene. After taking this photo I did tone down the blueness of the rocks in the shade. It was a little too blue for me. But I really enjoy painting on a canvas that is underpainted because it gives you a mid tone color to start with which can help you read your colors better. It is also interesting to play around with little bits of color you leave showing. If I did this same painting with the pale orange underneath, it would have taken a totally different direction. I’m almost interested enough to try that in order to compare the two.

Many people know exactly how they intend their painting to turn out. At this point for me, I sort of let it tell me where it is going to go. I try to read it as it progresses and see how it feels. That part is still fun for me. If I have a direction in mind and it doesn’t go that way, well that will be frustrating. But for now I am learning what may cause certain outcomes. And I am enjoying the process!

Snow Practice

Corinth SnowThis is a scene from Corinth, Maine. It is a very farmy town where my friend lives. I love to take photos out there of the farms and countryside. It is open and always has nice lighting effects. This one was interesting to me because of the big old Maple trees and because of the snow. I still need to add a few lines on the poles when it dries, but this was fun.

This one was also an example of that pale orange underpainting bleeding into the snow. I had to do a couple layers. But you can also see areas where it gives an interesting warm glow through the trees. Depending on the subject matter, you can leave more or less of it to show through.

Sunny Bend

Auke Rec PointI continue to find trees extremely challenging yet I am seeing progress. It is a challenge to know where to begin some of these pictures of the woods, but I felt like I at least had some direction this time. I still feel like this could be improved on if I did it again, but I’m happy with it for now. I’m still feeling a strong attraction for painting woodland scenes and especially trees themselves, in fact I found a guy that paints ‘tree portraits’ yesterday on Pintrest. His name is David Langevin. His stuff is amazing. It may be a similar direction I’d like to go in eventually. You can check out his work on whiterockgallery.com. Just search his name.

Red Evening Light

Sunset PeaksThe intense pink on the white peaks here shows how red the evening light can be. Everything else around was almost black and white but the light reflecting on the mountain is red. I see this often here in Juneau on the mountains, and I wanted to get it down on canvas so I remember the strength of the color.

Sunny Spot

Sunny SpotThis is a view from my home. There is a mountain that goes straight up just across from us. The way the sun hits it in the evening amazes me. the colors are so strong. I’m not sure how this reads to someone not familiar with the view. But it is supposed to be a patch of the mountainside just catching the sun between the dense foggy patches.

Tree Study

Tree StudyI love painted trees! I need to practice them close up because they are very tricky to paint. So in this I combined the tree practice with the strong warm light practice. It is just a small 5×7, but I think it has good impact. When studying a subject close up, the things you learn can be easily applied to a more suggestive painting later on. This is another thing that I need to remember.

Sunlit Fog

Foggy Morning LightThis is the second little 5×7 study of the warm light effects on a subject. In this case it made a nice backdrop for the interesting foreground. I thought it was interesting that the fog looked so warm compared to the cool, shaded trees. I really wish that we had more sunny days here so I could get outside and paint!