These towers are spectacular and I am fortunate enough to be able to view them from my house. I love how the warm light bathes them in this glowing color. This was also good tree practice.
Sad story though, on the very day I painted this picture we had two young men go missing after reaching the top of the top. They posted a photo on Instagram and never made it back. The rescuers found their ropes and gear but as of yet, they have not located the men. Hopefully when the temps warm up a bit they will be able to find them.
I love doing scenes like this that are very soft and subtle! They are usually challenging but rewarding. This is the Chilkat Mountain range here in Juneau. They are just spectacular, especially when snow-covered. This piece is a 5×7 oil on panel
This is another 10×8 oil of Mendenhall Glacier. I love this view from a large stream up the road as you approach the Glacier. There is often fog here and sometimes you can only catch a glimpse of the glacier itself, but it is very interesting to me when it is like this. There are always wonderful reflections in the areas of water around the glacier and this is one in particular that I like because of all the dead trees in the water, giving it a nice textural quality. As a note though, I find these trees extremely difficult to paint. I have found them very challenging. So in order to overcome this, I will be painting them quite a lot for practice ( =
Mendenhall Glacier has become one of my primary subjects. It is only 3-4 miles from my home and always a beautiful place to take pictures. We have a lot of tourism here in Juneau so it also makes for a perfect painting subject to sell to tourists. Hence, my newest paintings are of the Glacier. This one is from a very clear bright day and very different than most days here. But I really liked this shot. All the colors are quite cool, but I tried to add a few touches of warmth in the green grasses and around the base of the most forward area on the left. I also used Pthalo blue in the Glacier, which is a rich, warm blue. (this is an 8×10 oil)
This is an 8×10 oil painting done from a photo I took down in Cohassette, MA while visiting my parents. On this particular day it was misty and overcast. I wanted to try painting this because of those weather conditions. It is very different to paint bright sunny day as opposed to a gray overcast day. It takes practice to see things in different light. I think that this is why I like to paint. I like the challenge of portraying the certain feeling a scene takes on in different lighting conditions. I really spend a lot of time observing the changes in light and shadow as well as colors under different conditions. It is really amazing to me.
Mendenhall Glacier is only 4 miles from my home. My husband and I like to take walks there frequently. This stream flows nearby. This is the second time I have painted this scene. It is very appealing to me. I love how the warm tones of the sand and water balance out the coolness of the stones. This is a very simple setting but I think that is another reason I like it. I love simplicity in a painting.
This is Mendenhall Glacier in Juneau, Alaska. It is only 4 miles from my home, and a favorite destination for walks. I particularly enjoy how many blues there are here. Blue is my favorite color, and they are so beautifully displayed in the mountains here! I tried to add some warmth to the sandy areas to balance the cool. It might even need a bit more warmth.
I think that the first painting was too cool. I did add a bit of warmth to it but thought that I would try it again. You know that ‘repeat, repeat’ thing. ( = Well for this one I also used a canvas that was toned with burnt sienna. If you remember, the first one was toned with a pale blue hue. I do believe that this one came out much warmer simply because I started out with a warm undertone. The blue of the last one was strong enough to influence my whole painting so that it leaned toward very cool in the end.
Usually my preference is for a warm painting, but I do like the idea of trying different things to see where it leads. So I learned from this…I can either be very careful to warm all my colors if I use a cool toned canvas, or I can start with a warmer tone. I have seen paintings of fog or overcast days that have been done on a blue/ gray canvas that I really liked, but again, I will practice. In the end, I really prefer this warmer painting.
This little canvas was underpainted with a pale blue hue. I think this was the first time trying blue. I liked it a lot. The overall tone of the painting came out cool even though it was a very sunny scene. After taking this photo I did tone down the blueness of the rocks in the shade. It was a little too blue for me. But I really enjoy painting on a canvas that is underpainted because it gives you a mid tone color to start with which can help you read your colors better. It is also interesting to play around with little bits of color you leave showing. If I did this same painting with the pale orange underneath, it would have taken a totally different direction. I’m almost interested enough to try that in order to compare the two.
Many people know exactly how they intend their painting to turn out. At this point for me, I sort of let it tell me where it is going to go. I try to read it as it progresses and see how it feels. That part is still fun for me. If I have a direction in mind and it doesn’t go that way, well that will be frustrating. But for now I am learning what may cause certain outcomes. And I am enjoying the process!