This type of atmosphere in a picture really interests me. It is challenging because of the lack contrasting lights and darks, but I really find it interesting. I love to be outside on a snowy day like this or a really foggy day. There is just something about it that appeals to me. It seems like I have a lot of photos of fog or really atmospheric scenes. And they always call my name to be painted.
In this one I felt it was very helpful, interest wise, to have that bit of thicker paint to describe the snow in the foreground. It was something I added in later.
On this foggy morning, I was just struck by the beauty of the layers and the lifting fog. Then when I got closer, to see these beautiful colors just beginning to peak through the fog…what a treat! It is a beautiful place for sure.
This will be my final example for now of how useful a more detailed Underpainting can be. This is another wooded scene where my trees could easily have all gotten lost or run together as I went along. By having my Underpainting sort of map out my values, it was much easier to keep track of where my trees were separated. This also was helpful for me to see whrere it was important to perhaps place a darker tree next to a lighter one in order to distinguish it or make it more focal. It really is nice to be able to play around with your composition and value at this point before you have invested too much time. For me, it is invaluable when the painting has much detail.
This is a scene from Corinth, Maine. It is a very farmy town where my friend lives. I love to take photos out there of the farms and countryside. It is open and always has nice lighting effects. This one was interesting to me because of the big old Maple trees and because of the snow. I still need to add a few lines on the poles when it dries, but this was fun.
This one was also an example of that pale orange underpainting bleeding into the snow. I had to do a couple layers. But you can also see areas where it gives an interesting warm glow through the trees. Depending on the subject matter, you can leave more or less of it to show through.
I continue to find trees extremely challenging yet I am seeing progress. It is a challenge to know where to begin some of these pictures of the woods, but I felt like I at least had some direction this time. I still feel like this could be improved on if I did it again, but I’m happy with it for now. I’m still feeling a strong attraction for painting woodland scenes and especially trees themselves, in fact I found a guy that paints ‘tree portraits’ yesterday on Pintrest. His name is David Langevin. His stuff is amazing. It may be a similar direction I’d like to go in eventually. You can check out his work on whiterockgallery.com. Just search his name.
This is a little 5×7 painting. It is the second time that I have done this picture.I believe that it is much cleaner and much less overworked as well. I must say that I don’t generally enjoy doing a picture more than once, but I am learning the value of doing so. The first time I did this, it was quite a struggle to capture the sunny light. But this time it took less than half the time. It was a real pleasure to work on! From now on I am going to make it a practice to do certain paintings more than once, and even in different colors or value patterns. I think it will increase my learning significantly.